Masks Are Fashion, Masks Are Heroic - Catwoman

This is the 17th entry that I've posted in the series featuring "red carpet" takes on superheroes in costume with masks to promote the pro-social & pro-health practice of mask wearing during a pandemic.

Catwoman is a character that revels in her independence. And while she does enjoy a liberal amount of independence from other people, she still needs others and lives in a society that affects her. Catwoman was created in the 1940's to be a villain, but the character really hasn't been portrayed consistently as a villain in around thirty years. Currently, she's practically Mrs. Batman. And while she's known for her expertise at breaking and entering, she's also a formidable hand-to-hand combat opponent. She's always exhibited admiral qualities worth emulating. I should know. In high school, I wrote a thirteen page research paper on why Catwoman was a positive role model. And yes, I did get an A grade on it.

For my take, I took influences from several different looks Catwoman has had throughout the years. For many years, starting in the 1940's, her costume consisted of a purple dress with slits in the skirt and a green cape. In the 1960's, the Batman TV show happened, and she went through a couple different looks before circling back to the purple dress and green cape look in the 1970's, just with a longer skirt and cape, higher boots, and a deeper cut in the decolletage. The purple dress with splits here defeinitely pays homage to that look. Instead of a green cape, I utilized green jewelry to introduce that color into the design. The purple I used was a warmer purple, closer to the color used in her 1990's costume. The corset is a take on the corset worn by Michelle Pfeiffer's Catwoman in the movie Batman Returns. The lace-up sandal boots also nod to that costume. The cat ears on her head are a nod to the Catwoman costume from the 1966 Batman TV series, embellished with black diamonds here. The haircut and makeup are inspired by early designs by Joelle Jones during her run on the Catwoman comic book.

Thank you for taking the time to experience this piece.
"Masks Are Fashion, Masks Are Heroic - Catwoman" by Kevenn T. Smith
Pencil, Ink, Photoshop
©2021 Kevenn T. Smith
Catwoman ©DC Comics 

Masks Are Fashion, Masks Are Heroic - Lois Lane

This is the 16th entry that I've posted in the series featuring "red carpet" takes on superheroes in costume with masks to promote the pro-social & pro-health practice of mask wearing during a pandemic.

In the past few years in the United States, certain superheroes have come to mean more to me because of the particular ideals and values that they stand for. For instance, while the President of the country had an enormous history of spouting misogynist speech, Wonder Woman, a hero who stands for the empowerment of women especially, became even more important to me. Likewise, as that same President continued to spew a mountain of provable lies and call members of the free press enemies of the people, the character Lois Lane meteorically rose in importance to me. Reporters like Julie K. Brown, who did most of the leg work on the Jeffrey Epstein story, and Victoria Brownworth, an independent reporter whose work advocates for truth and justice are real treasures to our society. I see in Lois Lane the same spirit that these women have, and that is a relentless search for the truth and commitment to exposing the powerful who prey, exploit, and harm those with less power. That's what superheroes do, and that's why Lois Lane deserves to stand alongside the other heroines of the DC Universe.

A lot of thought went into creating this look for Lois Lane, which is, I believe, the first time that I've ever really drawn her. It's ridiculous that it's takine me this long to do that. The color purple has become associated with Lois Lane in the last few years, and since purple is my favorite color, of course I was going to use it. Ever since Superman: The Animated Series, Lois Lane has frequently been depicted having violet eyes. I did not want to deviate from that detail that provides more purple to the experience. Details were important, so she has a wedding ring on her finger to visually show her marriage to Clark Kent/Superman. She has lovely "S" symbol earrings to also nod to her status as a member of the "Superman Family." And her mask has a Logo for the Daily Planet on it. For the dress, I imagined that it would be a dress that could be worn to the office in the day along with a jacket or sweater, and then by itself for a fancier red carpet look. I love the pairing of the light lilac purple with rose gold, and gave her a matching phone, which I see so many reporters use nowadays as their recording devices. Her hair is a fresh long bob with a little wave to it. It's nice, but you know she doesn't have a lot of time to spend on her hair - not even for special occasions. I wanted to show that this is a woman who doesn't have the advantage of having super speed to help her manage her busy schedule. It's also a call back to one of my favorite portrayals of Lois Lane, Terri Hatcher on Lois & Clark: The New Adventures of Superman.

Thank you for taking the time to experience this piece.
"Masks Are Fashion, Masks Are Heroic - Lois Lane" by Kevenn T. Smith
Pencil, Ink, Photoshop
©2021 Kevenn T. Smith
Lois Lane ©DC Comics 

Masks Are Fashion, Masks Are Heroic - Hawkgirl

This is the 15th entry that I've posted in the series featuring "red carpet" takes on superheroes in costume with masks to promote the pro-social & pro-health practice of mask wearing during a pandemic.

Hawkgirl is one of those characters who had been burdened with a complicated origin for decades - until recently. Her origin is tied to Hawkman's. In another life, Hawkman was an evil guy doing bad things for an evil godlike being. Then he fell in love with an angel and changed his ways. The angel was punished for falling in love with a mortal and fell from Heaven. As penance for his deeds, Hawkman would reincarnate across time and space until he could make restitution for what he had done. The angel would incarnate alongside with him as his soulmate. Pretty easy so far. The two would incarnate, be intensely drawn together, and oftentimes die an early death in trying to do good. 

And then along comes Hawkgirl. Because the souls are incarnating throughout time AND space, the angel incarnates twice at the same time - one as a woman named Shayera Thal (the red-headed Hawkwoman) on the planet of Thanagar, and second as a woman named Kendra Saunders on earth. Kendra is Latina and formally lead an elite squadron of pilots called the Blackhawks that had its origins in WWII. However, because she's incarnating twice during the same time period, the romantic soulmate draw to Hawkman doesn't seem to exist with Hawkgirl (Hawkwoman has that covered). She's now left to explore herself in a lifetime completely untethered to Hawkman. So far, it seems she and J'onn J'onnz, the Martian Manhunter, have developed feelings for each other.

For her look, I was inspired by red carpet music awards looks by Christina Aguilera, and mixing that kind influence in with the crazy costume design that Hawkgirl has had through the years. Her Hawkgirl look was created in the early 1940's and modelled off of Hawkman's look, so that's why there are SO MANY COLORS in it. And like with Supergirl and Power Girl in this series, I'm really interested in using pinks and magentas in the design instead of red and dark reds. The top is an homage to the harness that Hawkman wears as part of his costume, and as Hawkgirl's costume often features a bare midriff, I opted to continue that design element into this look.

Thank you for taking the time to experience this piece.
"Masks Are Fashion, Masks Are Heroic - Hawkgirl" by Kevenn T. Smith
Pencil, Ink, Photoshop
©2021 Kevenn T. Smith
Hawkgirl ©DC Comics 

Masks Are Fashion, Masks Are Heroic - Power Girl

This is the 14th entry that I've posted in the series featuring "red carpet" takes on superheroes in costume with masks to promote the pro-social & pro-health practice of mask wearing during a pandemic.

Power Girl is not a household name superhero, but when I tell you about her, you'll feel like you already know her. Power Girl is Kara Zor-L, the "Supergirl" of Earth-2. Remember how Supergirl's rocket arrived later than Superman's by mistake? Well Power Girl's arrived even later, and I guess something didn't go 100% with the suspended animation, because she arrived pretty grown and also *gasp* had ideas of her own. She refused to be defined by Superman, so instead of calling herself Supergirl and wearing his symbol, she called herself Power Girl and left her chest devoid of the S-shield. In her civilian identity as Karen Starr (Yes, a white woman named Karen with short hair - she was created in the 70's. It's not her fault.), she owns her own tech company. As Power Girl, she basically has all of the same powers as Superman. Operating on Earth-2, she was a member of the Justice Society of America (JSA), and was a close friend of the daughter of Batman & Catwoman, the Huntress. Whether on Earth-2 or Earth-1, Power Girl is always a force to be reckoned with.

I really enjoyed working on this design. Originally, I was going to give her a sleevelesss look with a turtle-neck, but I had also been wanting to do a asymmetrical shoulder look for this series, and when I realized that would mimick the line of the rope that her cape is attached to that cuts across her chest on her superhero costume, it seemed like the perfect choice. I also was inspired by the loincloth style skirt that she wore in her appearance as Power Woman in the Kingdom Come series by Mark Waid and Alex Ross. I also really like her haircut, because I think it's sexy and youthful while being much shorter than how I've depicted Power Girl in my artwork in the past. I think it suits her perfectly. The charms on her bracelet also contain some "Easter Eggs," like an Earth-2 Superman symbol, and Aquaman symbol alluding to her Post-Crisis origin as the grand-daughter of ancient Atlantian sorceror, Arion, and a Harley Quinn diamond because Amanda Connor & Jimmy Palmiotti wrote & drew a wonderful Power Girl series and they also have had her interact with Harley Quinn as a friend during their handling of Harley's stories. Also, since working on my Supergirl design and realizing during that work that the color pink is almost NEVER used on DC Heroines, I couldn't pass up the chance to turn what is traditionally red on her costume into a magenta and bring in the pink to a really fun eye makeup look.

Thank you for taking the time to experience this piece.
"Masks Are Fashion, Masks Are Heroic - Power Girl" by Kevenn T. Smith
Pencil, Ink, Photoshop
©2021 Kevenn T. Smith
Power Girl ©DC Comics 

Masks Are Fashion, Masks Are Heroic - Zatanna

This is the 13th entry that I've posted in the series featuring "red carpet" takes on superheroes in costume with masks to promote the pro-social & pro-health practice of mask wearing during a pandemic.

Zatanna is a powerful magic wielding member of the Justice League, currently operating in the magaical division known as Justice League Dark. She was raised by her father, Giovanni 'John' Zatara, a stage magician who actually performed real feats of magic. Her mother was named Sindella, and was from a race of magical humans called Homo Magi, which totally sounds like the name of a bar for gay witches. Since DC Comics hates it when women have a relationship with their mothers if their name isn't Wonder Woman, Sindella faked her death to leave her daughter and husband to go live with the Homo Magi again. (Insert eye roll here.) Zatanna, like her father, is a stage illusionist who usues actual magic. She usually performs spells by saying the words backward (phoenetically, not backwards sentence word order). He stage outfit is usually similar to a stage magician's outfit, a tuxedo (often with a top hat) but substituting fishnet stockings for a pair of slacks. In recet years, her costume has been less formal, and consisting of things like pleather pants, a boustier, and a trenchcoat with some fishnet gloves. Also exciting, the recently announced plans to make a Zatanna solo movie. My hope is that it will rely heavily on the 2003 graphic novel Zatanna: Everyday Magic.

For this design, I wanted to allude to elements of a tuxedo, but instead of short shorts, to include a skirt to dress it up. The skirt shape is inspired by the silhouette of the skirt that RuPaul wore in the Supermodel music video and maxi single cover. And while the tuxedo/fishnets costume is more most well-known look, I've always been a fan of George Perez's "superhero sorceress" costume from the 1980's that was blue, white, and black with red accessory elements. I've borrowed elements from that look to include in this one. For this design, I wanted the boustier to allude to a tuxedo shirt.

Thank you for taking the time to experience this piece.
"Masks Are Fashion, Masks Are Heroic - Zatanna" by Kevenn T. Smith
Pencil, Ink, Photoshop
©2021 Kevenn T. Smith
Zatanna ©DC Comics